Re: Oxford Bibliography Online: John Cage

Ed Crooks <[email protected]> Tue, 16 Aug 2011 22:38:01 +0100 (BST)
Newsgroups gmane.music.john-cage
Message-ID <[email protected]>
Dear Rob,I'm sure it will be a great resource!These are my nominations for the most useful/interesting/thought-provoking entries that sometimes get overlooked:
Beal, Amy C. (2007): ‘David Tudor in Darmstadt’. Contemporary Music Review 

26(1),
77-88.

Brooks, William (1993): ‘John Cage and History: Hymns and Variations’. 

Perspectives
of New Music 31(2),
74-103.

Brooks, William (2007): ‘Pragmatics of
Silence’. In: Nicky Losseff and Jenny Doctor, 

eds. (2007): Silence, Music, Silent Music. Aldershot: Ashgate, 97-126.

Cage, John and Jeffrey Barnard (1980): Conversation
without Feldman. Darlinghurst: 

Black Ram Books.

Cage,
John and Morton Feldman (1993): Radio
Happenings I-V. Köln: MusicTexte.

Chou Wen-chung (1971): ‘Asian
Concepts and Twentieth-Century Western 

Composers’. Musical Quarterly 57(2), 211-29.

Corbett, John (2000): ‘Experimental
Oriental: New Music and Other Others’. In: 

Georgina
Born and David Hesmondhalgh, eds. (2000): Western Music and its Others:
Difference, Representation, and Appropriation in Music. Berkeley:
University of California Press, 163-86.

Jones, Caroline A. (1993): ‘Finishing
School: John Cage and the Abstract 

Expressionist
Ego’. Critical Inquiry 19(4), 628-65.

Kahn, Douglas
(1997): ‘John Cage: Silence and Silencing’. Musical
Quarterly 81(4), 

556-98.

Leonard, George J. (1994): Into the Light of Things: The Arts of the Commonplace


from Wordsworth to John Cage. Chicago: University of Chicago Press.

Low, Sor-Ching (2006): ‘Romancing Emptiness’. Contemporary Buddhism 7(2), 129-

47.

Pepper, Ian (1997): ‘From the
“Aesthetics of Indifference” to “Negative Aesthetics”: 

John
Cage and Germany
1958-1972’. October, no.82, 30-47.

Rainer, Yvonne (1981): ‘Looking Myself
in the Mouth’. October, no.17, 65-76.

Roth, Moira and Jonathan D. Katz (1998):
Difference/Indifference: Musings on 

Postmodernism,
Marcel Duchamp and John Cage. Amsterdam:
G + B Arts International.

Said, Edward (1997): ‘From
Silence to Sound and Back Again: Music, Literature, and 

History’. In: Edward
W. Said (2001): Reflections on Exile and Other Literary and Cultural Essays.
London:
Granta Books, 507-26.

Shultis, Christopher (1998): Silencing
the Sounded Self: John Cage and the American 

Experimental
Tradition. Boston:
Northeastern University Press.
best wishesEd Crooks
University of [email protected]