Re: Questions on mesostics and the software Cage used

Hey Julian,

> Look forward to hearing the pieces David, and (hopefully?) exploring the =
code.

I've mostly finished up the mesostic code (had a few late night ideas
last night about how to clean up some of it). Now I have to assemble
the different algorithms for the music but that should be pretty
straightforward since it's all written. After that I'm not sure how
long it will be before the vocalist has a chance to record it but I
will post to the mail list when it happens.

Meantime, all my code is free (AGPL 3.0). You can check it out here:
https://gitlab.com/davethecomposer/platonic-music-engine/tree/dev
The mesostic.lua package in the top-most directory makes all the
function calls while the processing is done in
scripts/text_mesostics.lua. The code is a mess (I'm not a programmer)
but it seems to work well and can output to pdf. You'll need something
like TeXLive installed to get the pdf or you should be able to take
the .tex file and compile it on various online TeX/LaTeX places. It
also produces formatted .txt files so you can see the results there as
well. If you have any questions or comments about the code definitely
feel free to ask!

Dave
https://www.platonicmusicengine.com


On Thu, Jan 17, 2019 at 1:38 AM Julian Brooks <[email protected]> wrote:
>
> Great thread.
>
> Look forward to hearing the pieces David, and (hopefully?) exploring the =
code.
>
> J.
>
> On Tue, 15 Jan 2019 at 06:45, David Bellows <[email protected]> wrote=
:
>>
>> Hi Rod,
>>
>> > Does she still hold this interpretation with on the updated page that =
I mentioned? (I should look - and try out some text that I know=E2=80=A6)
>>
>> I think so. I didn't test both of her versions exhaustively but I
>> think she does still remove wing words at random.
>>
>> > So, I think that if you are steeped enough in Cage philosophy, there c=
an be some
>> possible extrapolations that can be used in some creative instances,
>> but, it needs to genuinely be in the direction of selfless pursuit - a
>> kind that yields new learning experiences that are not necessarily
>> pedantic, but ones that produce ideas that push you creatively
>> forward.
>>
>> This is terrific advice and something I will keep in mind. My project
>> involves more than just Cage and his music (and writings) but the
>> project would not have been possible without Cage as the foundation.
>> And while I have been reading him for well over 20 years now, there's
>> always still a lot to learn and discover.
>>
>> I think between you and Andrew Culver and several others on this list,
>> I have a far clearer picture of what Cage did and did not do. I think
>> the main programming is now finished with my mesostic generator and
>> now I will work on formatting it nicely and integrating the results
>> into the rest of my project. A vocalist is going to record songs using
>> lyrics as generated by my mesostic software with a melody generated
>> algorithmically by my software and accompanied by a piano part that is
>> algorithmically generated as a type of musical mesostic.
>>
>> When I get it all into good shape I'll post it here.
>>
>> Thanks again,
>> Dave Bellows
>>
>> On Mon, Jan 14, 2019 at 6:33 PM Rod Stasick <[email protected]> wrote:
>> >
>> >
>> >         On Jan 14, 2019, at 17:23, David Bellows <[email protected]=
m> wrote:
>> >
>> >         As I was checking my results against Nicki's, I noticed that h=
ers
>> >         would leave out words in the wing words which she justified wi=
th the
>> >         following:
>> >
>> >         "Cage: 'Then I take out the words I don't want.'
>> >         My interpretation: Don't add all possible words between spine =
letters.=E2=80=9D
>> >
>> >
>> > Does she still hold this interpretation with on the updated page that =
I mentioned?
>> > (I should look - and try out some text that I know=E2=80=A6)
>> >
>> > If she still holds to this =E2=80=9Cloose=E2=80=9D interpretation,
>> > then I have to say =E2=80=9Cno=E2=80=9D to it.
>> > Mainly because the idea of taking out words willy-nilly
>> > doesn=E2=80=99t match up to what we all pretty much know about Cage.
>> >
>> > I=E2=80=99m also of the opinion that if you have to second-guess John=
=E2=80=99s interpretations,
>> > it always seems to be better to do so in the manner of extrapolation o=
f his
>> > general philosophy...even if Cage himself may have not have possibly t=
hought of =E2=80=9Cit.=E2=80=9D
>> >
>> > What do I mean?
>> >
>> > In 2012, I attended a talk given by Ray Kass about Cage=E2=80=99s wate=
rcolors.
>> > During the Q&A session that followed, I asked if Cage had used chance
>> > operations to determine whether to go clockwise or counter when he
>> > painted around his various sized rocks that he frequently used.
>> > The silence that followed was not unlike John=E2=80=99s spoken silence=
.
>> >
>> > A hand to a chin ... silence ... =E2=80=9Chmmm...=E2=80=9D
>> >
>> > =E2=80=9COK, let me ask this: when John drew his circles did he use ch=
ance operations
>> > to decide where on the perimeter of the circle he would start drawing?=
 - =E2=80=98cause,
>> > you know, it=E2=80=99d be easy to divide the perimeter into 64 with 16=
 at each quadrant...=E2=80=9D
>> >
>> > < crickets ... >
>> >
>> > I remember a similar instance with John even when it didn=E2=80=99t in=
volve his own work.
>> > He became excited when we were discussing a work I was in the middle o=
f in the early 80s that involved my using a text called =E2=80=9CThe Man'y=
=C5=8Dsh=C5=AB.=E2=80=9D While mentioning all kinds of
>> > elements that were being subjected to chance operations, he would offe=
r new suggestions. You could see his eyes light up at the possibilities.
>> >
>> > So, I think that if you are steeped enough in Cage philosophy, there c=
an be some
>> > possible extrapolations that can be used in some creative instances, b=
ut, it needs to genuinely be in the direction of selfless pursuit - a kind =
that yields new learning experiences that are not necessarily pedantic, but=
 ones that produce ideas that push you creatively forward.
>> >
>> > Rod