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I thank you too, Morgan. It is wonderful that you are able to keep an
archive of the non-officially released concert recordings. I do the same
thing with removing the tree version from rotation when the show gets
released officially. I hope the "Official Bootleg Series" keeps going,
especially with shows sourced from radio or soundboard. Wouter Bessels has
done a great job with mastering those sets.
I'm bummed that In Search of Hades is so expensive. I'm interested only in
the live material and the long-out-of-print music, so that means about half
the set is not worth it to me. I'm sure that Steve Wilson did an awesome
job with the remastering of the albums, and probably sound much better than
the copies I have, but I have a hard time justifying double-dipping those
albums (or triple in some cases). If my finances were in better shape I'd
probably jump on it.
It's amazing that these older concerts are showing up all of the sudden,
and in excellent quality to boot. This goes for the out-of-print music as
well. I guess Wilson had access to archives that no one else did.
Disappointing since we could've had bonus material that was much more
relevant on previous Virgin box sets (<cough>Tangents<cough>). Didn't TD
have a BBC Peel Session as well?
I was shocked when the Glasgow 74 show popped up. I had no idea there were
any other earlier shows that were recorded so pristinely besides what was
originally released in the TT. I was in disbelief at first, thinking that
perhaps someone in recent times performed a concert in the spirit of
classic TD. Where are these recordings coming from all of the sudden? If
Glasgow gets an official release, I'll definitely buy it...As long as it's
not embedded within an expensive set with lots of music I already have in
my library.
As a slight side-note... I enjoyed reading Edgar's stories about some of
the old concerts in his book. It gave me a new perspective whenever I
listen to them (like the epic 'This Is Spinal Tap' situations TD dealt with
in Australia 75).
Regards,
Dave B.
On Tue, Jun 16, 2020 at 7:40 AM '[email protected]'
[email protected] [tadream] <[email protected]> wrote:
>
>
> Thanks for posting this, Morgan. Yeah, if something was superseded by an
> =E2=80=9Cofficial=E2=80=9D release, then I generally remove it from my Tr=
ee collection as
> well. Sometimes it sounds better, othertimes, well...
> The only exception is my Bootleg Box Vol 2 went missing, so I redid the
> tree recordings for that gap in my collection.
>
> Just a note: to get the Berlin =E2=80=9887 concert downloaded in FLAC fro=
m Live
> and Loud, they request a donation of 5 Pounds -
>
> Jim
>
>
>=20
>
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<p><div dir=3D"ltr"><div dir=3D"ltr"><div class=3D"gmail_default" sty=
le=3D"font-family:verdana,sans-serif;font-size:small;">I thank you too, Mor=
gan.=C2=A0 It is wonderful that you are able to keep an archive of the non-=
officially released concert recordings.=C2=A0 I do the same thing with remo=
ving the tree version from rotation when the show gets released officially.=
=C2=A0 I hope the "Official Bootleg Series" keeps going, especial=
ly with shows sourced from radio or soundboard.=C2=A0 Wouter Bessels has do=
ne a great job with mastering those sets.<br><br>I'm bummed that In Sea=
rch of Hades is so expensive.=C2=A0 I'm interested only in the live mat=
erial and the long-out-of-print music, so that means about half the set is =
not worth it to me.=C2=A0 I'm sure that Steve Wilson did an awesome job=
with the remastering of the albums, and probably sound much better than th=
e copies I have, but I have a hard time justifying double-dipping those alb=
ums (or triple in some cases).=C2=A0 If my finances were in better shape I&=
#39;d probably jump on it.<br><br>It's amazing that these older concert=
s are showing up all of the sudden, and in excellent quality to boot.=C2=A0=
This goes for the out-of-print music as well.=C2=A0 I guess Wilson had acc=
ess to archives that no one else did.=C2=A0 Disappointing since we could=
9;ve had bonus material that was much more relevant on previous Virgin box =
sets (<cough>Tangents<cough>).=C2=A0 Didn't TD have a BBC P=
eel Session as well?<br><br>I was shocked when the Glasgow 74 show popped u=
p.=C2=A0 I had no idea there were any other earlier shows that were recorde=
d so pristinely besides what was originally released in the TT.=C2=A0 I was=
in disbelief at first, thinking that perhaps someone in recent times perfo=
rmed a concert in the spirit of classic TD.=C2=A0 Where are these recording=
s coming from all of the sudden?=C2=A0 If Glasgow gets an official release,=
I'll definitely buy it...As long as it's not embedded within an ex=
pensive set with lots of music I already have in my library.<br><br>As a sl=
ight side-note...=C2=A0 I enjoyed reading Edgar's stories about some of=
the old concerts in his book.=C2=A0 It gave me a new perspective whenever =
I listen to them (like the epic 'This Is Spinal Tap' situations TD =
dealt with in Australia 75).</div><div class=3D"gmail_default" style=3D"fon=
t-family:verdana,sans-serif;font-size:small;"><br></div><div class=3D"gmail=
_default" style=3D"font-family:verdana,sans-serif;font-size:small;">Regards=
,</div><div class=3D"gmail_default" style=3D"font-family:verdana,sans-serif=
;font-size:small;">Dave B.<br></div><div class=3D"gmail_default" style=3D"f=
ont-family:verdana,sans-serif;font-size:small;"><br></div></div><br><div cl=
ass=3D"gmail_quote"><div dir=3D"ltr" class=3D"gmail_attr">On Tue, Jun 16, 2=
020 at 7:40 AM '<a href=3D"mailto:[email protected]">jimbo@freshb=
iscuits.com</a>' <a href=3D"mailto:[email protected]">jimbo@fresh=
biscuits.com</a> [tadream] <<a href=3D"mailto:[email protected]">t=
[email protected]</a>> wrote:<br></div><blockquote class=3D"gmail_q=
uote" style=3D"margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,2=
04);">
<u></u>
=20
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<span>=C2=A0</span>
<div id=3D"gmail-m_5930976246563968535ygrp-mlmsg">
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<div id=3D"gmail-m_5930976246563968535ygrp-text">
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<p>
</p><div name=3D"messageBodySection">
<div dir=3D"auto">Thanks for posting this, Morgan.=C2=A0=C2=A0Yeah, if some=
thing was superseded by an =E2=80=9Cofficial=E2=80=9D release, then I gener=
ally remove it from my Tree collection as well.=C2=A0=C2=A0Sometimes it sou=
nds better, othertimes, well...<br>
The only exception is my Bootleg Box Vol 2 went missing, so I redid the tre=
e recordings for that gap in my collection.<br>
<br>
Just a note: to get the Berlin =E2=80=9887 concert downloaded in FLAC from =
Live and Loud, they request a donation of 5 Pounds -=C2=A0<br>
<br>
Jim</div>
</div><br></div></div></div>
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