Re: yapc::Europe, "Art of Perl"
[email protected] Wed, 5 Jul 2000 18:10:27 +0100 (BST)
| Newsgroups | perl.midi |
|---|---|
| Message-ID | <[email protected]> |
On Wed, 5 Jul 2000, Sean M. Burke wrote: > I don't know when YAPC Europe will happen I believe it's scheduled for 22-24 September, but things might have changed. > If I were a musician (and it'd help if I lived in Europe), I'd submit > an abstract for a talk that needn't be much more than a walk-thru of a > few basic ideas of algorithmic music I've submitted an abstract on Perl music, and I think I'm already a named speaker. Unfortunately due to various lifestyle changes I can't afford to fly over to the o'reilly conference, so have had to cancel my talk there. The nature of my work requires realtime feedback, so I use MIDI::Realtime rather than Sean's far better developed MIDI file manipulation suite. If anyone else is thinking of talking at the conference then I'd be happy to adapt to minimise any overlap. Anyway, here's the abstract. I'd be grateful of ideas and criticisms. I'd like to spend 30-45 minutes demonstrating and talking about making generative music with Perl. This will draw heavily of the generative music pieces myself and fellow generative musician Adrian Ward have been creating. I enjoy the technicalities of programming but don't enjoy talking about them, so I will focus instead on the ideas behind what myself and Ade do. This would probably include things like: o Exploration of polyrhythms -- demonstrating how good very simple algorithms can sound, particularly to the ear of a programmer. o Demonstration of transforming 'natural' sources such as birdsong and mailing list archives into electronic music. Talking about how, in contrast to popular opinion, computers can bring music closer to the outside world. o Process-based music. How music can live in the totally abstract environment hosted by a computer, with the musician/programmer in total control. How pseudo-randomness can result in ever-changing musical pieces, taking the programmer and listener to worlds seperated from our own. o To conclude, I'll talk about Perl. Why I gave up using sequencers many months ago and now write all my music in Perl. Supporting material: http://www.generative.net Alex