Re: Track production methods

Well, for a long time I used it to create small sampler food, but lately I
had to sell my whole studio and plunged into using csound itself to do
everything. It takes longer to write scores by hand, but I also find it
makes things musically more interesting. On the piece up on my
website(asapien.org) I
used a drum loop for basic rhythm, but my latest track uses sythesis to do
the drums. Rosegarden4 is also useful for creating rhythms, since I can
record a rhythm on a soundfont, and then generate a score file from
rosegarden. I'm trying to figure out the soundfont opcodes so I can mix in
a process stuff like pianos that are hard to create a model for.



On Sun, 18 Jan 2004, Iain Duncan wrote:

> I'm curious to find out how most people on the list now are using Csound. We
> discussed this about a year back, and I wonder how the advances in csound
> and other software have changed things. How does everyone actually use
> Csound. Ie, just to make samples, do the whole track in csound, do
> individual tracks in Csound and mix down in a multitracker, midi controlled
> multitracking, etc.
> 
> Me, all I do in all honesty is work on my sequencer project and practice
> playing on it. Eventually I hope to be able to use jack to record individual
> tracks from a sequencer project into Ardour, and use ardour for just final
> mixing, like levels, pan, reverb, and minor eq. All tricky effecting will be
> done within csound ( delays, flanging, filtering, stereo tricks, etc. ).
> 
> Anyone used Ardour in this manner yet and have any comments?
> 
> Thanks
> Iain
> 
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