Re: Track production methods

Brian Redfern <[email protected]>
Newsgroups gmane.comp.audio.csound.tekno
Message-ID <[email protected]>
Also when playing live I basically dj my own tracks and use terminatorX
under linux to process and play with the tracks live, while I jam along
with guitar and chromatic harmonica. The very latest stuff I'm trying to
do involves more intensely intricate rhythm than just a straight techno
4/4, so I'll be posting some audio and the .csd for that soon.



On Mon, 19 Jan 2004, Brian Redfern wrote:

> Well, for a long time I used it to create small sampler food, but lately I
> had to sell my whole studio and plunged into using csound itself to do
> everything. It takes longer to write scores by hand, but I also find it
> makes things musically more interesting. On the piece up on my
> website(asapien.org) I
> used a drum loop for basic rhythm, but my latest track uses sythesis to do
> the drums. Rosegarden4 is also useful for creating rhythms, since I can
> record a rhythm on a soundfont, and then generate a score file from
> rosegarden. I'm trying to figure out the soundfont opcodes so I can mix in
> a process stuff like pianos that are hard to create a model for.
> 
> 
> 
> On Sun, 18 Jan 2004, Iain Duncan wrote:
> 
> > I'm curious to find out how most people on the list now are using Csound. We
> > discussed this about a year back, and I wonder how the advances in csound
> > and other software have changed things. How does everyone actually use
> > Csound. Ie, just to make samples, do the whole track in csound, do
> > individual tracks in Csound and mix down in a multitracker, midi controlled
> > multitracking, etc.
> > 
> > Me, all I do in all honesty is work on my sequencer project and practice
> > playing on it. Eventually I hope to be able to use jack to record individual
> > tracks from a sequencer project into Ardour, and use ardour for just final
> > mixing, like levels, pan, reverb, and minor eq. All tricky effecting will be
> > done within csound ( delays, flanging, filtering, stereo tricks, etc. ).
> > 
> > Anyone used Ardour in this manner yet and have any comments?
> > 
> > Thanks
> > Iain
> > 
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