InfoD: Bookwatch (38)
InfoDesign <[email protected]> Fri, 17 Jun 2005 09:11:21 +0200
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* InfoDesign Bookwatch * (38)
In this message:
1) User interface design and evaluation.
(Debbie Stone, Caroline Jarrett, Mark Woodroffe, Shailey Min=
ocha)
2) Wordless Diagrams (Nigel Holmes)
3) Forms for people: designing forms that people can use.
(Robert Barnett)
4) Thinking in Type (Alex W. White)
5) Printer's type in the twentieth century manufacturing
and design methods (Richard Southall)
6) Visual Research. An introduction to research methodologies
in graphic design. (Ian Noble and Russell Bestley)
7) Wayfinding. Pictografic Systems. Nonverbal. Universal.
(Paul Arthur en Branimir Zlamalik)
_________________________________________________________________
1) TITLE: User interface design and evaluation.
AUTHORS: Debbie Stone, Open University, UK
Caroline Jarrett, Effortmark Limited, UK
Mark Woodroffe, Open University, UK
Shailey Minocha, Open University, UK
WEBSITE:=20
http://books.elsevier.com/bookscat/links/details.asp?isbn=3D0120884364
DETAILS: Price: USD 59.95 / ISBN: 0-12-088436-4 /
Published: 2005 / 672 Pages /
Publisher: Morgan Kauffman
DESCRIPTION: Based on a course from the Open University, UK
which has been taught to professionals and students,
this book presents an overview of the field of
user-centered design. It illustrates the benefits
of a user-centered approach to the design of
software, computer systems, and web sites, and
provides a clear and practical discussion of
requirements gathering; developing interaction
design from user requirements; and user interface
evaluation. The book's coverage includes established
HCI topics - for example, visibility, affordance,
feedback, metaphors, mental models, and the
like-combined with practical guidelines for
contemporary designs and current trends, which
makes for a winning combination.
CONTENTS:
I. Introduction
II. Requirements
III. Design
IV. Evaluation
V. Persuasion
_________________________________________________________________
2) TITLE: Wordless Diagrams
AUTHOR: Nigel Holmes
WEBSITE: http://www.nigelholmes.com/wordless/index.htm
http://www.bloomsburyusa.com/Authors/default.asp?id=3D895&cf=
=3D0
DETAILS: Price: USD 14.95 / ISBN: 1582345228 /
Published: April 2005 / 160 Pages /
Publisher: Bloomsbury USA
SUMMARY: Illustrator and graphic designer Nigel Holmes depicts
the things we do every day like you've never seen them
before. Pruning a rose or building a sandcastle might
seem like common activities, but when you see them
visualized on paper in wordless, step-by-step diagrams,
you'll discover them anew. From how to tie a knot in a
cherry stem with your tongue to how to make a grilled
cheese sandwich, from how to carve a turkey to how to
change a diaper, Nigel Holmes's striking diagrams will
entertain and educate.
_________________________________________________________________
3) TITLE: Forms for people: designing forms that people can use.
AUTHOR: Robert Barnett
WEBSITE: http://www.rbainformationdesign.com.au/
DETAILS: Price: AUS$ 120.00 / ISBN: 0 9586384 2 x /
Published: 2005 / 510 Pages /
Publisher: Robert Barnett and Associates Pty Ltd
SUMMARY: This book is designed for the experienced forms analyst
as well as the novice and part-time form designer. It
covers topics like analysis, graphic design, typography,
psychology, colour, printing and computer-related forms.
Special chapters deal with modern technology such as
fax and scanning, prepress for forms and optical reading.
It covers paper forms and includes a series of chapters on
fully-automated electronic forms. The book places special
emphasis on the language of forms and forms for the
general public with special chapters devoted to quality
evaluation and observational useability testing.
The 2005 edition has been restructured to make the content
easier to understand, additional material has been added
and the technical content of electronic forms has been
brought up to date.
CONTENTS
Part 1 - Understanding Forms
1 Types of forms: a chapter for beginners
2 Foundation for Good Forms
3 Communication Basics
4 Forms Language
5 Multilingual and Multicultural Forms
Part 2 - Forms Analysis
6 The Forms Analysis Process
7 Aids to Forms Analysis
8 Interviewing
9 The Needs of Users
10 Estimating and Costing
Part 3 - Form Design
11 Forms Typography
12 Basic Form Graphics
13 Colour and Shading
14 Form Structure
15 Questionnaire Design
16 Forms for Aged People
Part 4 - Special Types of Forms
17 Multipart Forms
18 Envelopes and Mailer Forms
19 Computer Input Forms
20 Machine-Readable Forms
21 Forms for Special Processing
Part 5- Testing Forms
22 Types of Errors People Make
23 Traditional Methods of Testing
24 Using an Error Analysis
25 Observational Useability Studies
26 Setting up a Testing Program
Part 6- Forms Production
27 Using a Computer for Design
28 Paper for Forms
29 How Printing Works
30 Getting Quality Printing
Part 7 - Electronic Forms
31 Electronic Forms Overview
32 Major Electronic Forms Issues
33 Implementing Electronic Forms
34 Electronic Forms Design Principles
35 Components of Electronic Forms
36 Adding Intelligence to Electronic Forms
37 Internet and intranet forms
38 Testing Electronic Forms
Appendix 1: Bibliography
Appendix 2: Subject index
__________________________________________________________________
4) TITLE: Thinking in Type
AUTHOR: Alex W. White
WEBSITE: http://www.allworth.com/Catalog/GD342.htm
DETAILS: Price: USD 24,95 / ISBN: 1-58115-384-8 /
Published: 2005 / 224 Pages /
Publisher: Allworth Press
SUMMARY: With this primer, designers will develop the skills and
vision to produce truly innovative, stunning type design.
Using images from the 18th century up to the present day,
the author describes type as a unique language that
follows its own rules for communication and that requires
great sensitivity for the reader=EDs needs. Like its
companion volume The Elements of Graphic Design, the book
can be used as a first exposure primer for students and as
a reader for professionals. This book offers insights into
typography that normally require years of professional
practice. Designed in an innovative two-color layout, the
book provides a fun and systematic learning experience
on multiple levels.
CONTENTS:
Preface
Introduction
Section 1: Type and Design
1 What is type and where is it found?
2 The language of type
3 Space and type
4 Typographic unity: similarities and contrasts
Section 2: What readers want
5 What readers respond to
6 Type and identity
7 Fresh versus familiar
Section 3: Creativity
8 Evolving a treatment from existing characteristics
9 Readability, then legibility
10 Type and imagery
Section 4: Typographic timeline
11 The evolution of typography
12 1914-1945
13 1946-1982
14 1983 onward
Appendix: Twenty-six letters evolve
Glossary
Bibliography
Index
Example Colophon and Credits
_________________________________________________________________
5) TITLE: Printer's type in the twentieth century manufacturing
and design methods
AUTHOR: Richard Southall
WEBSITE: http://www.oakknoll.com/detail.php?d_booknr=3D79701
http://www.bl.uk/acatalog/Catalogue_ISBN_0712348123_450.html
DETAILS: Price: USD 59,95 or GBP 30.00 / ISBN: 0712348123 /
Published: 2005 / 256 Pages /
Publisher: New Castle and London :Oak Knoll Press and
The British Library
SUMMARY: The last years of the nineteenth century saw the final
stages in the transition of type manufacture from a
craft to an industrial process, and the first appearance
of complex mechanical systems for the composition of
text. A hundred years later, text composition used only
the simple mechanisms inside laser printers and
image-setters, and type manufacture was well on the way
to becoming a craft process once again; though now with
computer displays and software replacing steel punches
and copper matrices. 'Printer's Type in the Twentieth
Century' traces the evolution of type manufacture and
design from hand punch-cutting through hot-metal and
photographic composition to laser image-setting and the
PostScript revolution. The book takes a theoretical view
of its topic, rather than a simple narrative approach. It
is intended for readers interested in recent typographic
history, and the relationships between design methods and
production technologies in type manufacture.
REVIEW: http://www.typophile.com/node/10509
_________________________________________________________________
6) TITLE: Visual Research. An introduction to research
methodologies in graphic design.
AUTHORS: Ian Noble and Russell Bestley
DETAILS: Price: USD 39.95 / ISBN: 2-88479-049-7 /
Published: 2005 / 192 Pages /
Publisher: AVA publishing
DESCRIPTION: Serious graphic design students and creative professionals
will find this presentation of quantitative and
qualitative research methods in visual communication
invaluable. Fully illustrated with real-life case studies,
it focuses on the relatively unexplored process of design
analysis. Illuminating and thought-provoking discussions
deal with such issues as the audience, communications theor=
y,
experimentation in the studio, semiotics, and semantics.
A final section features suggestions on how to synthesize
practical and theoretical models, with strategies that
working designers can really use.
CONTENTS:
- Why & how
- Methods: Ways of thinking
- Visual research
- Audience & message
- Process & materials
- Synthesi
_________________________________________________________________
7) TITLE: Wayfinding. Pictografic Systems. Nonverbal. Universal.
AUTHORS: Paul Arthur en Branimir Zlamalik
WEBSITE: http://www.paularthur-wayfinding.com/pages/1005cover.html
DETAILS: Price: USD 125.00
Published: 2005
Publisher: Focus Strategic Communications Inc.
DESCRIPTION: Just as the world has adopted coordinated alphabet
systems, the same should be done with pictorial images.
Because no common descriptions exist, we are constantly=20
exposed to different pictographic images representing
the same thing. There is, however, a very real need for
universality. A coordinated, integrated, pictograph
system, with specific descriptions for each image,
would be recognized throughout the entire world,
regardless of language and culture. This type of
system will achieve true internationalism.
'PictograficSystems' which was developed by Paul Arthur
and Branimir Zlamalik, contains over 570 pictographs
and is possibly the largest resource of coordinated
graphic symbols in the world. The research is still
ongoing, and, eventually, thousands of pictographic
images - representing common actions, services, objects
or facilities - will be added. The book is based on this
PictograficSystems.
CONTENTS:
Introduction
Nomenclature
The ISO system of colours and shapes
Virtuous pictograph design
Series 0 - Pictographs common to all functions
Series 1 - Pictographs for base building
Series 2 - Pictographs for commercial & retail establishments
Series 3 - Pictographs for sporting events & recreation
Series 4 - Pictographs for health care facilities
Series 5 - Pictographs for transportation, travelers & those in transit
Series 6 - Pictographs for safety in the workplace
Series 7 - Hazards in parks & recreational areas
Series 8 - Arrows
Index
_________________________________________________________________
InfoDesign Bookwatch is compiled and edited by Piet Westendorp
and Karel van der Waarde. Suggestions for titles are welcome,
and may be sent to: [email protected]
_________________________________________________________________
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