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"Renato Corsetti [email protected] [esper-brit]" <[email protected]>
Newsgroups gmane.culture.language.esperanto.britain
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    "Emojis" estas la nova universala lingvo
    <https://groups.yahoo.com/neo/groups/reago/conversations/topics/12888;_ylc=X3oDMTJyazBwZ2kyBF9TAzk3MzU5NzE1BGdycElkAzQ2OTM5MDAEZ3Jwc3BJZAMxNzA1MjEzOTk3BG1zZ0lkAzEyODg4BHNlYwNkbXNnBHNsawN2bXNnBHN0aW1lAzE0NzM2NjQ2NzY->



        Sun Sep 11, 2016 9:00 pm (PDT) . Posted by:


      "Nicole" nicoledom2001
      <mailto:[email protected]?subject=Re%3A%20%22Emojis%22%20estas%20la%20nova%20universala%20lingvo>


Karaj,

En Brita ĵurnalo ili skribas “It (Esperanto) never caught on. Today 
there are fewer than 2,000 people who have spoken Esperanto from birth.”

http://www.thetimes.co.uk/article/smile-we-finally-have-a-universal-language-s80pt988v

La sama artikolo aperis en The Australian la 10an de septembro. Mi 
kopias la tekston ĉar ŝajne nur abonantoj povas legi ĝin. Amike, Nicole

In 1887 a Jewish-Polish ophthalmologist called LL Zamenhof ­created a 
universal language. His home town of Bialystok in ­present-day Poland 
was divided into Russian, Polish, German and Jewish communities, each of 
which spoke a different language and refused to speak any other.

A “means of international communication”, the idealistic eye doctor 
decided, might bring these groups together, and so he invented 
Esperanto, a language that combined the best of the rest.

It never caught on. Today there are fewer than 2000 people who have 
spoken Esperanto from birth. But Zamenhof’s vision has come to pass in a 
way he could never have anticipated, in the form of hundreds of tiny 
pictograms attached to digital mess­ages, tweets and texts.

Emojis are the new universal language, and the fastest growing method of 
communication in the world. The lexicon of emojis has swelled from 176 
in 1999 to more than 1800 images, regularly used by more than 90 per 
cent of the world’s online community.

The emoji (Japanese for “picture character”) was born when a Japanese 
pager company sought to add colour and emotion to otherwise bald textual 
communications. That idea has spawned an entire internationally 
recognised vocabulary of ideograms depicting, among other things, 
weather, facial expressions, animals, flags, the Vulcan hand salute, 
birthday cakes and love.

Last year the Oxford English Dictionary declared the “tears of joy” 
emoji to be the word of the year. A further 38 emojis were added to the 
set last year by the Unicode Consortium of tech companies, which 
standardises emoji usage and ensures a symbol sent from one operating 
system appears the same on another: in 2016 these included a pregnant 
woman, a rasher of bacon and Mrs Santa Claus.

The emoji has become a ­defined auxiliary language, but evolving and 
adapting as all genuine languages do. Moby-Dick has been translated into 
emojis. Emoji Dick may lack some of the subtlety of Melville’s original 
(“Call me Ishmael” is rendered as a telephone and a man with a 
moustache), but it is very funny. Sony is developing an emoji film. The 
BBC translates some news stories into emojis. The Pope has his own 
emoji. Last year a Frenchman was sentenced to six months in prison for 
threatening his girlfriend by sending her a gun emoji.

Inevitably, some language purists loathe emojis. As the Harvard 
cognitive scientist Steven Pinker writes: “It is a failing of human 
nature to detest anything that young people do just because older people 
are not used to it or have trouble learning it.”

Every stage of the digital revolution in language — email, text, 
Twitter, Instagram, Snapchat — has been greeted with the prediction 
language will be destroyed. The Prince of Wales was at it this week. “In 
these days of texting and various social media apps, the 
well-constructed sentence is under mortal threat,” he moaned.

The same sort of dire prophecy was made, in the 19th century, about the 
impact of sending telegraph messages that omitted prepositions and 
articles. The age of wireless had no negative ­impact on the language. 
The preposition is alive and well.

Some have attacked emojis as mere hieroglyphics, pointing out the 
ancient Egyptians were unable to convey complex emotions in symbols, 
while the Greeks, with their abstract alphabet and adaptive vocabulary, 
could express and write down intricate literary ideas. That fails to 
understand how most people use emojis.

The symbols do not supplant or denude language, but ­supplement and 
enhance it. The pictograms do not replace words and thought, but add 
visual colour. It is as if the ancient Greeks also had hieroglyphics at 
their fingertips, a way of writing and ­illustrating writing simultaneously.

Emojis offer nuance to blunt textspeak, providing humour, sarcasm and 
surprise, communicating across language barriers. In speech, facial 
expression and intonation add meaning to the words we utter; emojis do 
the same for the hastily written text.

Emojis, like all languages, reflect and adapt to the real world, and 
carry emotional and intellectual weight. Emojis of humans now come in a 
variety of skin colours; professions may be symbolised in either gender 
(or none), although women, who use emojis more than men, remain 
under-represented in the lexicon. Some 15,000 redheads presented a 
petition to Apple demanding a ginger-haired emoji.

Politics and commerce influence this emerging language. Private citizens 
and companies can apply to the Unicode Consortium for the adoption of 
new emojis. British supermarket Tesco was at the forefront of the 
campaign for a cheese emoji.

But ultimately the little ­ideograms narrow differences among people. I 
can send an emoji to someone in Bialystok, with whom I have no other 
­language in common, and be sure of being understood. The rapid 
evolution of the world’s first properly universal language would have 
evoked an astonished ­response from LL Zamenhof; but also, surely, a 
(smile emoji).

The Times

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