Re: Neat summary of Google strategy
Mary E Tyler <[email protected]>
| Newsgroups | gmane.culture.literature.ebook-community |
|---|---|
| Message-ID | <[email protected]> |
>> This is certainly true if you simply don't know how to track down
>> heirs who are rightsholders. However - how does this work if
>> everyone has lost track of the author? If there is no definitive
>> report of an author's death, when does "life+X" start counting
>> down?
>>
> I agree with you completely. And, were I Empress of the World, I would
> undoubtedly reduce the length of copyright to some more reasonable
> number, such as 25 years. But I'm not, so it doesn't matter
I was thinking about a solution the other day. And it seems to me that
there are very few people who care about having nearly endless
copyright terms. And those people can bribe congress indefinitely to
extend and extend and extend to their heart's content. Meanwhile, the
vast majority of people who don't really care about endless copyright
have it and it's of no value to them.
Maybe we need to rethink copyright or at least the way we charge for
it. So those who don't care about their copyrights--for ephemeral
things like emails or technical books that go obsolete--only get them
for a reasonable amount of time. Let's say 15 years, the original
term. But people who really care about their copyright can pay
periodically every 15 years to extend it up to the theoretical 150
years now allowed. Incorporate a tracking requirement (like with
domain names) where you have to keep current contract info or risk
losing the rights. That way, Disney gets to keep the mouse and we're
not protecting people's emails for 150 years. If you care that damned
much about protecting your copyright, you register it for the extended
protection.
Not that it'll ever happen, but there HAS to be a more functional
method than this.
Since we have such a difference of opinion, what would the ideal
system look like?
> And, yes, I know that there are a lot of amateurs who are happy to
> work for accolades. Unfortunately, the vast majority of them are
> amateurs for a reason at the moment. I don't think that many of them
> will ever have the time to raise their technique to the level we
> currently demand of pros in any future world, unless we let their work
> earn them a living wage. And I don't see any viable way to do that
> unless we sell the copies.
>>
You know, I'm not sure there's an argument there. At least where
fiction is concerned, you DON'T "make it" until you're soup... and
crackers with a silver spoon on a fancy tray. You develop your craft
largely--if not wholly--unpaid for the effort. And there's no
guarantee you'll make it even if you do become great, unless you find
the right editor on the right day with socks the right level of
tightness who **gets** your work.
People will still write fiction if no one ever pays them. Some will
become very good at doing it, even producing great art. But overall,
there will be less art, because everyone will have to have day jobs--
which truthfully, is pretty much the case now. Only the biggest of the
big can just write. Everyone else has a day job, even if their title
is "Mom."
With non-fiction, you're more likely to get paid at least bit and
pieces along the way to that first book length contract. But the
amounts are generally small and grow--maybe--as your skills grow, but
not always.
There is, flat out, less connection between writing and getting paid
and it's been going that way for the last 50 years. People were
freelancing for a buck/word in 1960 and they're doing it today.
Magazines were paying $0.04 for fiction in 1960 and they're paying it
today. It just goes a LOT less far.
>> In such an environment, ebooks will probably disappear along with
> everything else, IMNHO, UNLESS we can get people to shift toward an
> ethos that demands buying copies of them, as they currently buy copies
> of p-books.
I was thinking this morning about what might be the result of the
Accelerated Reader program and the almost insane emphasis on reading
in the schools. I don't have numbers on the AR program, but in
encouraging--even forcing--more kids to read and maybe to be
proficient readers, could we possibly be creating the biggest
generation of readers we've ever known? It could be that the industry
will stop its long slow decline...
What say you?
dej
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