Re: pedo in a speedo
Steve M <[email protected]>
| Newsgroups | gmane.culture.sf.delany |
|---|---|
| Message-ID | <p06110404bfdc516849dd@[192.168.1.105]> |
At 10:49 PM +0000 12/30/05, Guy_Fawkes99 wrote: >But the theme (and its frequency) is so >discomfitting for me and for a lot of readers that I have to wonder >why it's so important for Delany to keep revisiting it. What point >is he trying to make that's so imperative it's worth alienating and >risking a lot of readers over? I was an early reader of Delany--started reading him in junior high at about 13 years old, with Triton and Empire Star and Babel-17. I read Dhalgren in high school (i.e., while still a minor--only slightly younger than Denny). I say that by way of leading up to this tentative suggestion/observation: Perhaps he includes children being sexual and having sex in order to be realistic. I think perhaps one of the most dangerous aspects of our culture in terms of keeping children from sexual abuse is the tendency to deny the sexuality of children. By seeing them as innocent of sexuality and without sexual interests, as beings who don't pursue sexual activity, we leave them completely unarmed for the sexual predators who use and twist that innate interest in sexuality. I was never sexually abused and never had sex with an adult while I was a minor. However, I recall finding opportunities to get naked and vaguely sexual with neighborhood kids when I was as young as seven, having mutual masturbatory sex with a cousin one year older than me starting at 11, and this escalated to oral sex at 12 and anal sex at 13. This may seem to contradict my other recent posts, but I think here of the discussions of Delany's own youthful sexuality in his memoir, and that of his peers, and think that perhaps this informs his fiction about sexualized minors. That in his pornography (Tides of Lust/Equinox and Hogg) this involves situations that we would objectively consider abusive but that the participants involved do not opens up a dialogue about whether it is age itself that makes such situations abusive. In Hogg, it seems that once our narrator starts to feel that the situation is abusive, he leaves (and speaks for the first time). The above are just tentative thoughts on the issue, which I really haven't given much thought to before, because the sexuality of children in his books really hadn't struck me as extraordinary, but rather as a fairly realistic extensions of my own sexual desires when I was a boy. ------------------------ Yahoo! Groups Sponsor --------------------~--> Know an art & music fan? Make a donation in their honor this holiday season! http://us.click.yahoo.com/.6dcNC/.VHMAA/Zx0JAA/DtIolB/TM