New Issue: Extrapolation Volume 59, Issue 1 (April 2018)
"Ainsworth, Megan [mains]" <[email protected]> Mon, 23 Apr 2018 08:40:19 +0000
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Extrapolation Volume: 59, Issue: 1 (April 2018)<http://online.liverpooluniv=
ersitypress.co.uk/toc/extr/59/1?ai=3Dsw&ui=3D273v&af=3DT>
The above issue is now available online at: http://online.liverpooluniversi=
typress.co.uk/toc/extr/59/1?ai=3Dsw&ui=3D273v&af=3DT
Extrapolation was founded in 1959 by Thomas D. Clareson and was the first j=
ournal to publish academic work on science fiction and fantasy. It continue=
s to be a leading, peer-reviewed, international journal in that specialized=
genre in the literature of popular culture.
You can keep up to date with the journal by clicking here<https://online.li=
verpooluniversitypress.co.uk/action/showAlertSettings?journalCode=3Dextr&ac=
tion=3DaddJournal> to sign up to new issue alerts, and can learn more about=
the title at its website page here<https://online.liverpooluniversitypress=
.co.uk/loi/extr>.
Contents:
Contributors<https://online.liverpooluniversitypress.co.uk/doi/10.3828/e=
xtr.2018.1?ai=3Dsw&ui=3D273v&af=3DT>
------------------------------------------------------------------------
A Short Pre-History of Climate Fiction<https://online.liverpooluniversit=
ypress.co.uk/doi/10.3828/extr.2018.2?ai=3Dsw&ui=3D273v&af=3DT>
Andrew Milner and J. R. Burgmann
------------------------------------------------------------------------
Literacy, B=EAtise, and the Production of Species Difference in Ray Brad=
bury's Fahrenheit 451<https://online.liverpooluniversitypress.co.uk/doi/10.=
3828/extr.2018.3?ai=3Dsw&ui=3D273v&af=3DT>
Se=E1n McCorry
------------------------------------------------------------------------
"The key to this immense metallized landscape": Reading J. G. Ballard's =
Crash as an Ecological Structure of Feeling<https://online.liverpoolunivers=
itypress.co.uk/doi/10.3828/extr.2018.4?ai=3Dsw&ui=3D273v&af=3DT>
Andrew Hageman
------------------------------------------------------------------------
Entering a Fantasy World through Its Map<https://online.liverpoolunivers=
itypress.co.uk/doi/10.3828/extr.2018.5?ai=3Dsw&ui=3D273v&af=3DT>
Stefan Ekman
------------------------------------------------------------------------
Reviews of Books<https://online.liverpooluniversitypress.co.uk/doi/10.38=
28/extr.2018.6?ai=3Dsw&ui=3D273v&af=3DT>
Liz Shek-Noble, Michelle Yost, A. J. Drenda, Aaron Roberts, Zak
Bronson, Justin Wigard, Jessica E. Birch, Jason W. Ellis, D. Harlan
Wilson, Everett Hamner, David Ian Paddy, and Elizabeth Lundberg
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<div class=3D"WordSection1">
<p class=3D"MsoPlainText"><b><span style=3D"font-size:18.0pt;color:#C00000"=
><a href=3D"http://online.liverpooluniversitypress.co.uk/toc/extr/59/1?ai=
=3Dsw&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Extrapolation=
Volume: 59, Issue: 1 (April 2018)</span></a>
<o:p></o:p></span></b></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText">The above issue is now available online at: <span=
style=3D"color:#C00000">
<a href=3D"http://online.liverpooluniversitypress.co.uk/toc/extr/59/1?ai=3D=
sw&ui=3D273v&af=3DT"><span style=3D"color:#C00000">http://online.li=
verpooluniversitypress.co.uk/toc/extr/59/1?ai=3Dsw&ui=3D273v&af=3DT=
</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"><i>Extrapolation </i>was founded in 1959 by Thoma=
s D. Clareson and was the first journal to publish academic work on science=
fiction and fantasy. It continues to be a leading, peer-reviewed, internat=
ional journal in that specialized
genre in the literature of popular culture.<o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText">You can keep up to date with the journal by click=
ing <span style=3D"color:#C00000">
<a href=3D"https://online.liverpooluniversitypress.co.uk/action/showAlertSe=
ttings?journalCode=3Dextr&action=3DaddJournal"><span style=3D"color:#C0=
0000">here</span></a></span> to sign up to new issue alerts, and can learn =
more about the title at its website page
<span style=3D"color:#C00000"><a href=3D"https://online.liverpooluniversity=
press.co.uk/loi/extr"><span style=3D"color:#C00000">here</span></a></span>.=
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <o:p></o:p></p>
<p class=3D"MsoPlainText"><b>Contents:<o:p></o:p></b></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><a hre=
f=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3828/extr.2018.1?=
ai=3Dsw&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Contributor=
s</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3828/extr.20=
18.2?ai=3Dsw&ui=3D273v&af=3DT"><span style=3D"color:#C00000">A Shor=
t Pre-History of Climate Fiction</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Andrew Milner and J. R. Burgmann <o:=
p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3828/extr.20=
18.3?ai=3Dsw&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Litera=
cy, B=EAtise, and the Production of Species Difference in Ray Bradbury̵=
7;s
Fahrenheit 451</span></a> </span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Se=E1n McCorry <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"><span style=3D"color:#C00000"><a href=3D"https://=
online.liverpooluniversitypress.co.uk/doi/10.3828/extr.2018.4?ai=3Dsw&u=
i=3D273v&af=3DT"><span style=3D"color:#C00000;text-decoration:none">&nb=
sp; </span><span style=3D"color:#C00000">“The key to this =
immense
metallized landscape”: Reading J. G. Ballard’s Crash as an Eco=
logical Structure of Feeling</span></a>
<o:p></o:p></span></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Andrew Hageman <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3828/extr.20=
18.5?ai=3Dsw&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Enteri=
ng a Fantasy World through Its Map</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Stefan Ekman <o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> ------------------------------------=
------------------------------------
<o:p></o:p></p>
<p class=3D"MsoPlainText"> <span style=3D"color:#C00000"><=
a href=3D"https://online.liverpooluniversitypress.co.uk/doi/10.3828/extr.20=
18.6?ai=3Dsw&ui=3D273v&af=3DT"><span style=3D"color:#C00000">Review=
s of Books</span></a>
</span><o:p></o:p></p>
<p class=3D"MsoPlainText"><o:p> </o:p></p>
<p class=3D"MsoPlainText"> Liz Shek-Noble, Michelle Yost, A. J.=
Drenda, Aaron Roberts, Zak
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Bronson, Justin Wigard, Jessica=
E. Birch, Jason W. Ellis, D. Harlan
<o:p></o:p></p>
<p class=3D"MsoPlainText"> Wilson, Everett Hamner, David I=
an Paddy, and Elizabeth Lundberg
<o:p></o:p></p>
<p class=3D"MsoNormal"><o:p> </o:p></p>
</div>
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