TOC: ARTMargins Vol. 1, No. 2–3 , June–October 2012. Special Section: Artists' Networks in Latin America and Eastern Europe.
"Serguei A. Oushakine" <[email protected]>
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ARTMargins Volume 1, Issue 2–3 - June–October 2012 ________________________________________ Special Section: Artists' Networks in Latin America and Eastern Europe Introduction Klara Kemp-Welch and Cristina Freire ARTMargins June–October 2012, Vol. 1, No. 2–3, June–October 2012: 3-13. NET, Jarosław Kozłowski in Conversation with Klara Kemp-Welch Jarosław Kozłowski and Klara Kemp-Welch ARTMargins June–October 2012, Vol. 1, No. 2–3, June–October 2012: 14-35. Mail Art: A Bridge to Freedom Clemente Padín ARTMargins June–October 2012, Vol. 1, No. 2–3, June–October 2012: 36-44. “Something Unnameable in Common”: Translocal Collaboration at the Beau Geste Press Zanna Gilbert ARTMargins June–October 2012, Vol. 1, No. 2–3, June–October 2012: 45-72. Artistic Networks: From Effect to Affect and its Translation Paulina Varas Alarcón ARTMargins June–October 2012, Vol. 1, No. 2–3, June–October 2012: 73-86. International Hungary!: György Galántai's Networking Strategies Jasmina Tumbas ARTMargins June–October 2012, Vol. 1, No. 2–3, June–October 2012: 87-115. A Window and a Basement: Negotiating Hospitality at La Galerie Des Locataires and Podroom–The Working Community of Artists Ivana Bago ARTMargins June–October 2012, Vol. 1, No. 2–3, June–October 2012: 116-146. Invisible Artists, or the Net Without a Fisherman … (My Life in Mail Art) Graciela G. Gutiérrez Marx ARTMargins June–October 2012, Vol. 1, No. 2–3, June–October 2012: 147-151. Article Media Art in Argentina: Ideology and Critique “Después Del Pop” Karen Benezra ARTMargins June–October 2012, Vol. 1, No. 2–3, June–October 2012: 152-175. Review Article In the Wake of “In the Wake of the Global Turn” Aruna D'Souza ARTMargins June–October 2012, Vol. 1, No. 2–3, June–October 2012: 176-185. Document A Revolution in Consciousness: Dolfi Trost's Visible and Invisible Catherine Hansen ARTMargins June–October 2012, Vol. 1, No. 2–3, June–October 2012: 186-190. From Visible and Invisible (1953) Dolfi Trost ARTMargins June–October 2012, Vol. 1, No. 2–3, June–October 2012: 191-197. Artist Project Black Sea Aras Özgün ARTMargins June–October 2012, Vol. 1, No. 2–3, June–October 2012: 198-209. Contributors ARTMargins June–October 2012, Vol. 1, No. 2–3, June–October 2012: 210-210. _______________________________________________ Shera mailing list [email protected] http://lists.oakland.edu/mailman/listinfo/shera