CAA 2015 Recommended sessions
Eva <[email protected]>
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Panels of interest to SHERA constituents at the 103rd College Art Association Conference, Hilton Hotel, New York, February 11-14, 2015 Wednesday, January 11 The Budapest Sunday Circle and Art History: Lukács, Mannheim, Antal, Hauser, Balázs, and the Critique of Culture Time: 02/11/2015, 9:30 AM—12:00 PM Location: Hilton New York, 3rd Floor, West Ballroom Chairs: Paul Jaskot, DePaul University; Andrew F. Hemingway, University College London Cézanne, Lukács’s Cultural Critique, and the Hungarian Avant-Garde Edit Toth, Penn State Altoona Georg Lukács, Radicalized Place Making, and the Challenge of New Media to the History of Modern Art Dorothy L. J. Barenscott, Kwantlen Polytechnic University Balázs, the Sunday Circle, and Aesthetic Praxis Eszter Polonyi, Columbia University Marxist Interpretations of Realism: Lukács’s Literary Paradigms and the Art-Historical Perspectives of Antal and Hauser Alex Potts, University of Michigan Discussant: James van Dyke, University of Missouri Thursday, January 12 Rethinking the Decorative Woman in Central Europe, 1900-1950 Time: 02/12/2015, 2:30 PM—5:00 PM Location: Hilton New York, 2nd Floor, Nassau Suite Chairs: Olivia Gruber Florek, independent scholar; Megan Brandow-Faller, Georgetown University The Critical Impossibility of the Decorative Portrait Sara Ayres, independent scholar From Anonymous Student to Forgotten Woman Artist: Antoinette Krasnik and Her Contribution to Rethinking Decorative Art in Vienna 1900 Jasna Galjer, University of Zagreb Sachlichkeit and Sabotage: Fashionable Utility in Lotte Laserstein’s Tennis Player Kristin Schroeder, University of Michigan Friday, February 13 Society of Historians of East European, Eurasian, and Russian Art and Architecture Infiltrating the Pedagogical Canon Time: 02/13/2015, 12:30 PM—2:00 PM Location: Hilton New York, 2nd Floor, Regent Parlor Chair: Marie Gasper-Hulvat, Kent State University at Stark Pomogi! Using Propaganda to Infiltrate the Canon Roann Barris, Radford University The Necessity of Subterfuge in Cultural Studies Joe Troncale, University of Richmond Teaching Broader Perspectives on Futurism and the Avant-Gardes Jennifer S. Griffiths, American Academy in Rome Historians of German and Central European Art and Architecture Charting Cubism across Central and Eastern Europe Part I. Time: 02/13/2015, 12:30 PM—2:00 PM Location: Hilton New York, 2nd Floor, Nassau Suite Chairs: Anna Jozefacka, Hunter College, City University of New York; Luise Mahler, Hunter College, City University of New York Platform for Czech Cubism: The Journal Umělecký měsíčník (Arts Monthly) Vendula Hnidkova, Institute of Art History of the Academy of Sciences, Prague Latvian Cubists, Table for Six… Mark Svede, The Ohio State University Known and Unknown Hungarian Cubists Gergely Barki, Szépművészeti Múzeum Discussant: Eva Forgacs, Art Center College of Design Society of Historians of East European, Eurasian, and Russian Art and Architecture Business Meeting and Reception Time: 02/13/2015, 5:30 PM—7:00 PM Location: The Metropolitan Museum of Art, Watson Library, 1000 Fifth Avenue Saturday, February 14 Society of Historians of East European, Eurasian, and Russian Art and Architecture Reconsidering Art and Politics: Towards New Narratives of Russian and Eastern European Art, Part I Time: 02/14/2015, 9:30 AM—12:00 PM Location: Hilton New York, 2nd Floor, Beekman Parlor Chairs: Galina Mardilovich, independent scholar; Maria Taroutina, Yale-NUS College Family Portraits: The Argunovs and Dynastic Unease Alexandra Morris Helprin Between Glorification and Discontent: Vereshchagin’s Orientalism Evgeny Steiner, SOAS, University of London and National Research University Higher School of Economics, Moscow The Partial Art of Stalinism Aglaya K. Glebova, University of California, Berkeley A Socialist Neo-Avant-Garde: Vjenceslav Richter and EXAT-51 Nikolas Drosos, The Graduate Center, City University of New York Estonian Sots Art! Playful Appropriation of Soviet Modernity in the Early Work of Raul Rajangu Liisa Kaljula, Art Museum of Estonia Reconsidering Art and Politics: Towards New Narratives of Russian and Eastern European Art, Part II Time: 02/14/2015, 2:30 PM—5:00 PM Location: Hilton New York, 2nd Floor, Beekman Parlor Chairs: Maria Taroutina, Yale-NUS College; Galina Mardilovich, independent scholar Art into Life before 1917: The Stroganov School of Technical Design and a Pursuit of a Rational National Design in the Late Russian Empire Sam Omans, Institute of Fine Arts, New York University Archeology of the Visual in Apollo (Apollon, 1909–1917): Apollonianism, “Classical Revival,” and “Geographical” Self-Understanding of Russian Modernism Hanna Chuchvaha, University of Alberta Have Your Take and See It Too: On the Work of Unofficial Artists at the Balázs Béla Studio Ksenya A. Gurshtein, National Gallery of Art Monika Sosnowska’s Post-Socialist Agonism: Memory, Collaboration, and Resistance Ewa Matyczyk, Boston University Historians of German and Central European Art and Architecture Charting Cubism across Central and Eastern Europe Part II. Time: Saturday, February 14, 2015, 2:00–5:00 PM Location: Metropolitan Museum of Art, Bonnie J. Sacerdote Lecture Hall, Ruth and Harold D. Uris Center for Education Picasso, Braque and Kramář: The Czech Reception of Synthetic Cubism: Nicholas Sawicki, Assistant Professor of Art History, Department of Art, Architecture and Design, Lehigh University A Crisis in Cubism: The Theoretical Writings of Alexis Gritchenko: Myroslava M. Mudrak, Professor Emerita, The Ohio State University Cubism and Soviet Art Criticism during the Cold War:Kirill Chunikhin, Ph.D. Candidate at Jacobs University Bremen, Germany, and Terra Foundation Pre-doctoral Fellow, The Smithsonian American Art Museum, Washington, D.C. Respondent: Prof. Éva Forgács, Art Center College of Design, Pasadena _______________________________________________ Shera mailing list [email protected] http://lists.oakland.edu/mailman/listinfo/shera