SHERA and This Year's CAA-Getty International Travel Grant Recipients
Margaret Samu <[email protected]> Sun, 17 Jan 2016 16:46:35 -0500
| Newsgroups | gmane.culture.studies.history.slavic |
|---|---|
| Message-ID | <CAN4sfYLxKgEFzYyHqWww7t=Rs7GP4NyPpr56j=GZUJ50_1QSsQ@mail.gmail.com> |
Dear Colleagues, This February CAA will welcome 15 recipients of CAA-Getty International Travel Grants to the annual conference of the College Art Association (CAA). Four of them are art and architectural historians from SHERA's part of the world: Hungary, Russia, Bulgaria, and Croatia. *If you a SHERA list subscriber from Russia or Eastern Europe*, please consider applying for one of these travel grants next time, usually due in August. http://www.collegeart.org/CAA-GettyInternationalProgram/ They are a wonderful opportunity to visit the conference and meet scholars from around the world. Several recipients from previous years are returning to CAA this year to give papers. *If you plan to attend CAA* in Washington 3-6 February, please look for the travel grant recipients. Their bios and photos are below. If you would like to connect with one of them--perhaps you are traveling to their home country, or working on a similar subject--please let me know and I will put you in touch directly. Best regards, Margaret (Host for CAA-Getty International Travel Grants) *Ildikó Gericsné Fehér* received an MA and PhD in art history from Eötvös Loránd University in Budapest, Hungary. As associate professor in the Department of Art History of the Hungarian University of Fine Arts in Budapest, she lectures and leads seminars on Renaissance and Baroque art. She is also a consultant to the university’s Conservation Department. Fehér’s research interests include detached wall paintings from medieval and Renaissance Italy in the collection of the Museum of Fine Arts Budapest; Florentine art dealers at the end of the nineteenth century; Károly Pulszky’s purchases of paintings in Italy for the museum circa 1890; wall paintings in Umbria from the fourteenth to sixteenth century; self-portraits by Hungarian artists in the Uffizi Gallery; and the works of Jacopo Palma il Giovane. *Lev Maciel* graduated from the Medieval Studies Department at Lomonosov Moscow State University in Russia in 1998, with an M.A. thesis on fifteenth-century Spanish history. His dissertation on eighteenth-century Siberian architecture earned him a PhD in 2004 from the State Institute for Art History in Moscow. Currently Maciel is an associate professor in the Faculty of Humanities of the National Research University Higher School of Economics in Moscow, where he supervises the recently created program in art history. He is also a part-time research associate professor at the Institute for Theory and History of Architecture and Town Planning in Moscow. Maciel’s research interests include a wide range of subjects within the history of architecture, including the late Renaissance and Baroque (Russia, southern Italy, Brittany, Spain, and Latin America), late antiquity and Byzantium, the Islamic world, Mongolia and Tibet, and nonmodernist movements in the twentieth century. *Emmanuel Moutafov* is a Byzantinist, art historian, and epigrapher who holds a PhD in world history of the fifteenth to nineteenth centuries from the Institute for Balkan Studies at the Bulgarian Academy of Sciences in Sofia. He has been a visiting research fellow at the Program in Hellenic Studies at Princeton University; a Mellon Foundation fellow at the Institute for Advanced Studies in Berlin; a Mellon Foundation fellow at the W. F. Albright Institute of Archaeological Research in Jerusalem; and a Getty Foundation research fellow in the summer research group Visions of Byzantium in Istanbul, Turkey. In 2013 he became a supervisor of research at the board of directors of the Institute for Art Studies at the Bulgarian Academy of Sciences and last year was appointed a director of the same institute. *Sandra Uskoković* is an assistant professor in the Department of Arts and Restoration at the University of Dubrovnik in Dubrovnik, Croatia. Her primary areas of research include architectural theory, modern architecture, urban culture, performance art, and cultural studies and heritage. She received an MA in architectural history and heritage preservation from George Washington University in Washington, DC, and a PhD in historic preservation and architectural history from the University of Zagreb. During 2002–3 Uskoković served as an intern at the International Centre for the Study of the Preservation and Restoration of Cultural Property in Rome, Italy, and at the International Committee on Monuments and Sites (US/ICOMOS) in Washington, DC. She is a member of the ICOMOS Scientific Committee on Twentieth-Century Heritage and has participated in conferences on international preservation. Uskoković is the author of three books: *Modern Architectural Heritage of Dubrovnik *(Zagreb: Antibarbarus, 2010), *Contemporary Design in Historic Settings *(Zagreb: Antibarbarus, 2013), and *Architect Lovro Perkovi*ć*: Sensibility of Space Design* (Zagreb: Ex Libris, 2015). She also has published numerous articles in academic and artistic journals. Since 2015 she has coordinated a regional interdisciplinary forum for research in urban culture in the Balkans, called Urban Hum <http://urbanhum.freshcreator.com/>. ========================= Margaret Samu, Ph.D. Art Historian, Freelancer https://newschool.academia.edu/MargaretSamu *Current Affiliations* The Metropolitan Museum of Art The New School Parsons School of Design Stern College for Women _______________________________________________ Shera mailing list [email protected] http://lists.oakland.edu/mailman/listinfo/shera