Multiple Responses: cinema program recommendations
"Bell-Metereau, Rebecca L" <[email protected]>
| Newsgroups | gmane.culture.studies.media |
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| Message-ID | <9635E21201FE6C4D87374595D062E54E15204AEDB7@BOBCATMAIL1.matrix.txstate.edu> |
From: Steve Fore [[email protected]] The suggestions of other readers are useful, but I have a quibble with mike's original query, in which he notes that he wants to recommend cinema studies programs that don't "have a production program as well because of the inter-program tensions that are too common in such places." While these tensions do exist under some circumstances, this is usually due to poor management and administration, rather than the result of any inherent tension between theory and practice, or between theoreticians and practitioners. I've always worked in practice-heavy programs, and have never had a problem with production colleagues, or with a curriculum that failed to value the contributions of history/theory/crit types. (In fact, I currently have colleagues with a film studies background who now do significant creative work in addition to their written research.) In fact, I would make the opposite argument: Look for cinema studies programs that are part of a fully integrated, comprehensive curriculum that includes a substantial commitment to both of these areas. As pioneers from Eisentstein to Godard showed us, theory and practice are NOT mutually exclusive in the first place. In a healthy university curriculum, students are required to take both production and history/theory/crit classes, and they take their experiences with both to 1) sort out what they're really interested in (maybe both!), and 2) let theory influence practice, and vice versa. Segregating these curricular emphases tends to lead to film studies academics making howling errors when they attempt to discuss the production process, and to filmmakers re-inventing the wheel in endlessly tedious ways. Beyond this, I would urge the prospective "cinema studies" student to look for programs that also fully integrate new media theory and practice into the curriculum. Screens today come in lots more shapes, sizes, and configurations than they used to. You don't have to just sit in front of the damned thing. -- From: Jennifer L Peterson [[email protected]] The University of Colorado at Boulder has a Film Studies Program that covers both critical studies and production. Students can specialize in either, as they choose. We currently have about 600 students majoring in film. Responding to Dennis Doros's post, I should say that we are fortunate to have excellent screening facilities that include 16mm, 35mm, and digital projection. Incidentally, we are also one of the last schools to encourage production on celluloid, with beginning filmmaking classes still taught using super-8 (video production is also taught). See http://www.colorado.edu/FilmStudies/. ---------------------------- Jennifer Peterson, PhD Assistant Professor Film Studies Program University of Colorado at Boulder -- From: Ellen Joy Letostak [[email protected]] *I can highly recommend NY—