Fwd: Adaptation: Latest Issue Now Available
Kenneth Nolley <[email protected]>
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From: DENNING, Rosanna <[email protected]> *With apologies for cross posting* The latest issue of Adaptation has just published online. Articles in this issue include: 'Total Cinema', Literature, and Testimonial in the Early Films of Alain Resnais<http://www.oxfordjournals.org/page/4780/1> M. Martin Guiney Recycled Images: Rose Hobart, East of Borneo, and The Perils of Pauline< http://www.oxfordjournals.org/page/4780/2> Guy Barefoot Interiority, Affordances, and the Possibility of Adapting Henry James's The Turn of the Screw as a Video Game<http://www.oxfordjournals.org/page/4780/3> Andrew Cutting 'My country has (never) suffered defeat': Adapting Defoe's Robinson Crusoe for Postwar European Television<http://www.oxfordjournals.org/page/4780/4> Margitta Rouse Undressing the Costume Drama: Catherine Breillat's Une vieille maîtresse< http://www.oxfordjournals.org/page/4780/5> Heidi Brevik-Zender Spectacular Realism: The Ghost of Jesus Christ in D. W. Griffith's Vision of History<http://www.oxfordjournals.org/page/4780/6> Phillip Maciak The Skull in the Eye: 'How fucked up is that?' Carnivalesque and Metatextual Variations on Hamlet in Let the Devil Wear Black< http://www.oxfordjournals.org/page/4780/7> Bruce Wyse Reviews Imaginative History and Medieval Film< http://www.oxfordjournals.org/page/4780/8> Laurence Raw Adapting Victorian Novels: The Poetics of Glass in Jane Eyre and Wuthering Heights<http://www.oxfordjournals.org/page/4780/9> Monika Pietrzak-Franger About the journal Adaptation is an international, peer-reviewed journal, offering academic articles, film and book reviews, including both book to screen adaptation, screen to book adaptation, popular and 'classic' adaptations, theatre and novel screen adaptations, television, animation, soundtracks, production issues and genres in literature on screen. Adaptation provides an international forum to theorise and interrogate the phenomenon of literature on screen from both a literary and film studies perspective. For more information and to subscribe please visit www.adaptation.oxfordjournals.org<http://www.adaptation.oxfordjournals.org> Oxford University Press (UK) Disclaimer This message is confidential. You should not copy it or disclose its contents to anyone. You may use and apply the information for the intended purpose only. OUP does not accept legal responsibility for the contents of this message. Any views or opinions presented are those of the author only and not of OUP. If this email has come to you in error, please delete it, along with any attachments. Please note that OUP may intercept incoming and outgoing email communications.