the experience of justice on film--multiple responses
Kenneth Nolley <[email protected]> Sun, 1 Dec 2013 14:03:22 -0800
| Newsgroups | gmane.culture.studies.media |
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From: filmgene <[email protected]> All of the films of the Frenchman Andr=E8 Cayatte concern matters of justic= e. As a former lawyer, films like An Eye For an Eye and Tomorrow is My Turn are quite relevant. See his entire filmography at imdb. Gene Stavis * * * * * * * * * * From: Victoria Pasley: [email protected] Very good recent Algerian Film The Repentant by Merzak Allouache From Morocco God's Horses by Nabil Ayouch Palestinian film Paradise Now by Hany Abou-Assad The Iranian film A Separation by Asghar Farhadi While Bamako by puts the World Bank on trial literally in Mali directed by Abderrahmane Sissako Hyenas from Senegal if regarding revenge as justice? Djibril Diop Mamb=E9ty The 1978 Australian movie The Chant of Jimmie Blacksmith comes to mind, although I haven't seen it Darrat/Dry Season from Chad Mahamat-Saleh Haroun And from the US always think of 1972 film Sounder? Victoria * * * * * * * * * * From: *[email protected] <[email protected]>* < [email protected]> Philadelphia (1993) * * * * * * * * * * From: *Erica Sheen* <[email protected]> You'd absolutely have to do at least one (earlier) SpenserTracy film, particularly if you were going to do Judgement at Nuremberg (1961): Adam's Rib (1949); The People against O'Hara (1951); Inherit the Wind (1960). And you could pair one of these court-based dramas with a film in which justice has to be fought for, so to speak, within the forum of film itself, such as Bad Day at Black Rock (1955). Spenser Tracy's 'star' identification with the public operation of justice across the 50s and into the 60s dovetails in so many interesting ways with the (largely) American phenomenon of publically celebrated judges, like Wendell Holmes and Learned Hand - particularly, perhaps, in the way this sequence of films leads into the Nuremberg film, in which Tracy plays a fictional judge (Dan Heywood) presiding over, and famously summing up, proceedings which were factually presided over by the British judge Geoffrey Lawrence. Of course, if you decide to do Kramer's film, you could pair it with the 2000 tv miniseries, Nuremberg, where the 'real-life' leading American judge, the historically extremely impressive Francis Biddle, is asked to concede the presiding role to Lawrence, and does so somewhat ungraciously - a disparagement I find as interesting in 2000 as the 1961 fiction. Wish I was doing that seminar. I'd love to know what Richard Sherwin thinks about all this! Erica Sheen * * * * * * * * * * From: *jsloniowski* <[email protected]> Hi, I have just started to read E. Deirdre Pribram's "Emotions, Genre, Justice in Film and Television: Detecting Feeling. From Routledge, 2013. It is about crime and feelings/justice. It has studies of several films and TV programs. Might work for you! Jeannette * * * * * * * * * * From: *Terri Ginsberg* <[email protected]> A couple of these are courtroom/legal dramas, a couple of them are not: Inherit the Wind The Wrong Man They Shoot Horses, Don't They? Peace, Propaganda and the Promised Land --