REMINDER CfP DEADLINE: "PROCESS AND PRACTICE: ADAPTATION CONSIDERED AS A COLLABORATIVE ART"
Darryl Wiggers <[email protected]> Mon, 3 Mar 2014 21:35:06 -0500
| Newsgroups | gmane.culture.studies.media |
|---|---|
| Message-ID | <[email protected]> |
From: "Magshamhrain, Rachel" <[email protected]> Conference: PROCESS AND PRACTICE: ADAPTATION CONSIDERED AS A = COLLABORATIVE ART 3-4 October 2014, University College Cork, Cork, Ireland Confirmed Key-Note: Thomas Leitch (Delaware) John Banville will speak in interview about adaptation in the context of = his work. In a landmark essay of 2003, Thomas Leitch claimed that "several = fundamental questions in adaptation theory remain unasked, let alone = unanswered. Everyone knows, for example, that movies are a collaborative = medium, but is adaptation similarly collaborative, or is it the work of = a single agent-the screenwriter or director-with the cast and crew = behaving the same way as if their film were based on an original = screenplay?" Rather than returning to reductive but seemingly = never-exhausted debates such as the fidelity issue, this conference = takes Leitch's question as its starting point, approaching adaptation = from the point of view of the processes and practices involved. Looking = at the debate from this perspective makes issues such as authorship, = originality, genius, even appropriation less important than questions of = collaboration, ensemble, engagement etc. which now become the critical = factors in the consideration of an artwork. A focus on the "how?" of = adaptation dismantles a hierarchical view of adaptation that is caught = in the gravitational field of originality, fidelity and marked by such = concepts as primacy and secondarity. Instead the artist is always = understood to be in relation. This conference invites contributions that focus therefore on the = creative processes and practices involved in adaptation across the = entire spectrum of genres and media. Contributions might consider = adaptive processes and practices in terms of: =B7 The identity of the adapter? The roles of the writer, = screenwriter, dramaturge, director, actor, translator, composer etc. =B7 Collaborative processes =B7 Audience and Reception =B7 Devising =B7 Re-contextualisation =B7 Re-mediation =B7 Adaptation in the "second degree": adaptations of = adaptations =B7 Transfer of knowledge (including adaptation in the context = of "practice as research") =B7 Brokering between idioms: communication between = collaborators in the adaptive process Abstracts of no more than 300 words for papers of 20 minutes should be = submitted to the organizing committee at = [email protected]<mailto:[email protected]> together with a short = CV by Friday 28 February 2014. Donna Alexander | Bernadette Cronin | Rachel MagShamhr=E1in | Nikolai = Preuschoff= --