a TV show with its own theology
"hermitage171" <[email protected]> Fri, 16 Jul 2004 11:58:01 -0000
| Newsgroups | gmane.culture.tv.twin-peaks |
|---|---|
| Message-ID | <[email protected]> |
There are lots of things to love about Twin Peaks, but I think that
one of the things that really distinguishes it is its supernatural
side. I think that it's rather rare for a show to develop its own ad
hoc theology, and to do so in a way that is mysterious and
intriguing rather than starkly expository.
Of course, the theology is probably not intended to be taken
seriously, but is nevertheless pretty fascinating.
Twin Peaks is a detective story in which dreams and visions play a
large role, and are often a source of vital information. Inhabiting
spirits also come into play with the introduction of Mike and Bob.
Also, notice that Mike says that he was changed when he saw the face
of God, which suggests that these spirits are potentially in contact
with a higher power. There are other beings which have magical
powers, such as Ms. Tremond and her grandson.
Different times are often connected in paradoxical ways. For
example, Laura and Dale entered a dream of the Red Room together,
and conversed, but Laura had the dream before she died, and Dale
after.
The theological/metaphysical nature of the show is taken to the next
level with the introduction of the black and white lodges. In the
end, this provides fodder for many happy wonderings and
imaginings... probably far more than the writers could have
intended.
We are confronted with various supernatural beings, such as the
Giant, the Dwarf, Mike, Bob, Ms. Tremond, and her Grandson. We are
not sure how these beings relate to either of the two lodges, with
the exception of Bob, who seems rather clearly related to the Black
Lodge. We also see two angels in FWWM who seem to be unambiguously
good.
We are also left to wonder about how the Red Room relates to the
Lodges, and how the Red Room "works". It seems to have its own
strange set of laws, but those are quite beyond us. If you step out
of a room and then back in again, you are likely to find something
quite different. Windom Earle seems to make a fatal error by
accepting Dale's soul as a ransom, and as a result opens the way for
Bob to take his soul. Why is this "illegal"? Was there something
else he should have done instead? Why did he even want Dale's soul
anyway; what was he trying to achieve? Is it possible to be killed
by simply physical violence in the Red Room, or does combat occur on
a sheerly spiritual / psychological level, such that defeat is
caused by lack of courage, or perhaps lack of knowledge?
How many people are in the Red Room at once? Is there only one Red
Room, in Twin Peaks, or are there equivalents around the world? How
do the supernatural beings and places in Twin Peaks relate to others
in different places? Is Twin Peaks unique in terms of its
supernatural activity?
We are given the notion that everyone has a shadow self, a
doppelganger. Does everyone need to confront their shadow self, or
only those who aspire to enter the White Lodge? What happens to
those who are bested by their shadow selves? Are they damned?
Trapped in limbo? Consigned to oblivion? What is required to best
one's shadow self? Is it enough to simply not retreat?
There are many more questions, of course, but I'll stop for now. The
point is, I think that this is part of the reason why Twin Peaks is
fascinating: it offers a rather novel set of theological and
metaphysical ideas.
James
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