Re: Issa on NPR!
Steven Kretzmann <[email protected]> Thu, 10 Jan 2008 09:50:17 -0800 (PST)
| Newsgroups | gmane.music.jane-siberry |
|---|---|
| Message-ID | <[email protected]> |
That's right on, David! I love the "good deed" option, too. Stevik in Philly --- David Rieken <[email protected]> wrote: > The really cool thing is that Issa is doing this > clearly with the intention > of getting her music out to as many people as > possible. She does not use > the word "free" but instead uses "gift" for a > reason, I suspect and it is > clear that money is not her focus. It is a lovely > thing and the mention of > possibly adding a "good deed" choice in the payment > options as mentioned in > the interview is a terrific Idea. Again Steven, > thank you for the link to > the interview. It was great. > > David > > On Jan 9, 2008 7:40 AM, <[email protected]> wrote: > > > I don't doubt that the Radiohead experience was > characterized as a "flop" > > in > > the media; I'm sure that's what many have been > saying.B > > > > > > As for my saying that the "hard reality" is that > people will often take > > music > > for free if given the opportunity, I want to make > clear that I'm not > > saying I > > like this, and I'm not saying it's fair. But to > me, it's kind of like > > global > > warming-- I don't like it, it doesn't sound like a > great idea, but you > > have to > > accept it as a starting point to move forward with > awareness and > > intelligence.B > > > > > > > > > > I like your analogy of the sandwich; when you put > it that way, of course > > it > > sounds ridiculous. But this may not be the best > analogy, because we're > > dealing > > with digital replication, and that pretty much > changes everything. A > > business > > giving sandwiches away is literally parting with > physical resources that > > cost > > it money. Once something is available as a digital > file, it can be > > replicated > > endlessly and effortlessly. Yes, at a certain > level there are bandwidth > > costs > > to deal with, but for any one person to replicate > and distribute any one > > file, > > the cost is essentially zero. > > > > > > > > > > This is not to deny the cost of producing the > music in the first place. > > This > > has always in fact been the bugaboo in the music > industry. It costs a lot! > > And > > the industry has always been content to let the > few huge acts pretty much > > subsidize everyone else when it comes to > production costs. This model is > > in > > the process of changing but no one knows exactly > what else to do, it > > seems. > > > > > > > > > > As for MySpace, I think you may be off a bit in > that any major web site > > that > > streams music *is* in fact paying for it-- they > pay for it indirectly, the > > same way radio stations pay, via annual licensing > fees. Individual artists > > aren't necessarily compensated this way, but that > has to do with the > > exploitative contracts most have had to sign along > the way. (That said, I > > am > > no friend of Murdoch's at all; I dislike MySpace > and dislike everything > > the > > man is associated with.) > > > > > > > > > > I disagree about short samples, by the way. I > never feel comfortable > > hearing > > music this way, and will never make a buying > decision based on snippets. > > After > > all, for all these years, have radio stations been > playing truncated > > samples? > > No, they play the whole song. I really want to > hear a whole song, and > > maybe > > more than once or twice.B > > > > > > > > > > The reality of digital distribution of music > necessitates a lot of changes > > in > > the music industry, needless to say. > Unfortunately, people don't like > > change, > > and will often fight against things that really > can't be fought, > > ultimately. I > > would never be suggesting that artists shouldn't > be paid for their work. > > But > > music is a tough tough business, and that was true > well before the digital > > age. Very few people can support themselves this > way, and one of the > > problems > > with the digital age is how many many many more > people now have access to > > recording and distributing music. Neither the > number of people who are > > willing > > to spend money on music nor the amount they are > willing to spend has gone > > up > > at anything resembling the rate of the number of > musicians plying their > > trade > > publicly over the last 10 to 15 years. One of the > side effects of that > > reality > > is that many more musicians will not be getting > paid very much. That's not > > a > > statement about how "free" or not music "should" > be, it's just economic > > reality, as far as I can see. > > > > > > > > > > Jeremy