Re: Issa on NPR!
"Mike Topf" <[email protected]> Thu, 10 Jan 2008 08:59:15 -0800
| Newsgroups | gmane.music.jane-siberry |
|---|---|
| Message-ID | <[email protected]> |
Good deed..... Like Pay it Forward. ----- Original Message ----- From: "David Rieken" <[email protected]> To: <[email protected]> Cc: <[email protected]>; <[email protected]> Sent: Thursday, January 10, 2008 8:43 AM Subject: Re: Issa on NPR! > The really cool thing is that Issa is doing this clearly with the intention > of getting her music out to as many people as possible. She does not use > the word "free" but instead uses "gift" for a reason, I suspect and it is > clear that money is not her focus. It is a lovely thing and the mention of > possibly adding a "good deed" choice in the payment options as mentioned in > the interview is a terrific Idea. Again Steven, thank you for the link to > the interview. It was great. > > David > > On Jan 9, 2008 7:40 AM, <[email protected]> wrote: > > > I don't doubt that the Radiohead experience was characterized as a "flop" > > in > > the media; I'm sure that's what many have been saying.B > > > > > > As for my saying that the "hard reality" is that people will often take > > music > > for free if given the opportunity, I want to make clear that I'm not > > saying I > > like this, and I'm not saying it's fair. But to me, it's kind of like > > global > > warming-- I don't like it, it doesn't sound like a great idea, but you > > have to > > accept it as a starting point to move forward with awareness and > > intelligence.B > > > > > > > > > > I like your analogy of the sandwich; when you put it that way, of course > > it > > sounds ridiculous. But this may not be the best analogy, because we're > > dealing > > with digital replication, and that pretty much changes everything. A > > business > > giving sandwiches away is literally parting with physical resources that > > cost > > it money. Once something is available as a digital file, it can be > > replicated > > endlessly and effortlessly. Yes, at a certain level there are bandwidth > > costs > > to deal with, but for any one person to replicate and distribute any one > > file, > > the cost is essentially zero. > > > > > > > > > > This is not to deny the cost of producing the music in the first place. > > This > > has always in fact been the bugaboo in the music industry. It costs a lot! > > And > > the industry has always been content to let the few huge acts pretty much > > subsidize everyone else when it comes to production costs. This model is > > in > > the process of changing but no one knows exactly what else to do, it > > seems. > > > > > > > > > > As for MySpace, I think you may be off a bit in that any major web site > > that > > streams music *is* in fact paying for it-- they pay for it indirectly, the > > same way radio stations pay, via annual licensing fees. Individual artists > > aren't necessarily compensated this way, but that has to do with the > > exploitative contracts most have had to sign along the way. (That said, I > > am > > no friend of Murdoch's at all; I dislike MySpace and dislike everything > > the > > man is associated with.) > > > > > > > > > > I disagree about short samples, by the way. I never feel comfortable > > hearing > > music this way, and will never make a buying decision based on snippets. > > After > > all, for all these years, have radio stations been playing truncated > > samples? > > No, they play the whole song. I really want to hear a whole song, and > > maybe > > more than once or twice.B > > > > > > > > > > The reality of digital distribution of music necessitates a lot of changes > > in > > the music industry, needless to say. Unfortunately, people don't like > > change, > > and will often fight against things that really can't be fought, > > ultimately. I > > would never be suggesting that artists shouldn't be paid for their work. > > But > > music is a tough tough business, and that was true well before the digital > > age. Very few people can support themselves this way, and one of the > > problems > > with the digital age is how many many many more people now have access to > > recording and distributing music. Neither the number of people who are > > willing > > to spend money on music nor the amount they are willing to spend has gone > > up > > at anything resembling the rate of the number of musicians plying their > > trade > > publicly over the last 10 to 15 years. One of the side effects of that > > reality > > is that many more musicians will not be getting paid very much. That's not > > a > > statement about how "free" or not music "should" be, it's just economic > > reality, as far as I can see. > > > > > > > > > > Jeremy