Re: question re: The automatic minimum (see above) is two.
Rob Haskins <[email protected]> Mon, 23 Apr 2018 13:28:35 -0400
| Newsgroups | gmane.music.john-cage |
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| Message-ID | <CAHiZ-4nHSbQpWBkOfYRL0xYX-VH3qwLUQrUwO0N9DuoTR+iWbg@mail.gmail.com> |
--000000000000203317056a875ea8 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable I think Bill is right=E2=80=94I need to re-read the essay, and may do this = week. On Mon, Apr 23, 2018 at 12:21 PM, AHF <[email protected]> wrote: > I=E2=80=99m with Bill: > > In paragraph two of the same text: > > =E2=80=9C...one enters an anechoic chamber, as silent as technologically = possible > in 1951, to discover that one hears *two sounds of one=E2=80=99s own > unintentional making* (nerves systematic operation, blood=E2=80=99s circu= lation)=E2=80=A6=E2=80=9D > > (Bold text added) > > This is the =E2=80=9Csee above=E2=80=9D reference. The =E2=80=9Cunintenti= onal making=E2=80=9D must be the > =E2=80=9Cautomatic=E2=80=9D, and the =E2=80=9Cminimum (see above) is two= =E2=80=9D is pretty obvious. > > =E2=80=94 > > As an aside, I find the phrasing somewhat similar to Bucky Fuller=E2=80= =99s > definition: =E2=80=9CUniverse is complex and at minimum two=E2=80=9D. > > I can=E2=80=99t claim through research, or even dates, that there was inf= luence in > either direction. But I like the shared wording and ideas. Makes me happy= . > > Andrew > > > On Apr 23, 2018, at 10:57 AM, Brooks, William F <[email protected]> > wrote: > > I=E2=80=99d suggest it=E2=80=99s much simpler: Cage earlier (p. 13) relat= es his anechoic > chamber experience, in which he heard two sounds, one high and one low, i= n > what was supposed to be a totally silent environment. > > The sounds were generated by his body, he says. Thus, =E2=80=9Cgetting up= in the > morning and discovering oneself musician=E2=80=9D, the absolute minimum n= umber of > sounds one will encounter is two; it=E2=80=99s not possible to hear fewer= . > > Bill > > On Apr 23, 2018, at 08:57, Rod Stasick <[email protected]> wrote: > > My interpretation is pretty close to what David has said. > The =E2=80=9Ctwo=E2=80=9D would be the event itself and one=E2=80=99s res= ponse > to the event - their reciprocal relationship. > The =E2=80=9Ctree falls in the forest=E2=80=9D conundrum that doesn=E2=80= =99t need to be one. > > best to all, > > Rod > > > ************* > Now Playing: > > Abbie Hoffman - Chicago > > from: > > Wake Up, America! > =E2=80=8C > Random Radio for Radio Marfa: > http://172.125.0.188:8000/listen.m3u > > Last.FM: > https://www.last.fm/user/rostasi2 > > Mixcloud: > https://www.mixcloud.com/rostasi/ > > > > --=20 Rob Haskins, D.M.A., Ph.D. Professor of Music College of Liberal Arts University of New Hampshire M-105, Paul Creative Arts Center 30 Academic Way Durham, NH 03824 603-862-3987 (office) 603-862-3155 (fax) <http://unh.edu/music/> <http://robhaskins.net> --000000000000203317056a875ea8 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr">I think Bill is right=E2=80=94I need to re-read the essay,= and may do this week.</div><div class=3D"gmail_extra"><br><div class=3D"gm= ail_quote">On Mon, Apr 23, 2018 at 12:21 PM, AHF <span dir=3D"ltr"><<a h= ref=3D"mailto:[email protected]" target=3D"_blank">culver@anarchic= harmony.org</a>></span> wrote:<br><blockquote class=3D"gmail_quote" styl= e=3D"margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div st= yle=3D"word-wrap:break-word;line-break:after-white-space">I=E2=80=99m with = Bill:<div><br></div><div>In paragraph two of the same text:=C2=A0</div><div= ><br></div><div>=E2=80=9C...one enters an anechoic chamber, as silent as te= chnologically possible in 1951, to discover that one hears <b>two sounds of one=E2=80=99s own unintentional= making</b> (nerves systematic operation, blood=E2=80=99s circulation)=E2=80=A6=E2=80=9D</div><div><br></div><div>(Bo= ld text added)</div><div><br></div><div>This is the =E2=80=9Csee above=E2= =80=9D reference. The =E2=80=9Cunintentional making=E2=80=9D must be the = =E2=80=9Cautomatic=E2=80=9D, and the =E2=80=9Cminimum (see above) is two=E2= =80=9D is pretty obvious.</div><div><br></div><div>=E2=80=94</div><div><br>= </div><div>As an aside, I find the phrasing somewhat similar to Bucky Fulle= r=E2=80=99s definition: =E2=80=9CUniverse is complex and at minimum two=E2= =80=9D.</div><div><br></div><div>I can=E2=80=99t claim through research, or= even dates, that there was influence in either direction. But I like the s= hared wording and ideas. Makes me happy.</div><div><br></div><div>Andrew</d= iv><div><div class=3D"h5"><div><br><div><br><blockquote type=3D"cite"><div>= On Apr 23, 2018, at 10:57 AM, Brooks, William F <<a href=3D"mailto:w-bro= [email protected]" target=3D"_blank">[email protected]</a>> wrote:</d= iv><br class=3D"m_-7713211387659575296Apple-interchange-newline"><div><div>= I=E2=80=99d suggest it=E2=80=99s much simpler: Cage earlier (p. 13) relates= his anechoic chamber experience, in which he heard two sounds, one high an= d one low, in what was supposed to be a totally silent environment. <br><br= >The sounds were generated by his body, he says. Thus, =E2=80=9Cgetting up = in the morning and discovering oneself musician=E2=80=9D, the absolute mini= mum number of sounds one will encounter is two; it=E2=80=99s not possible t= o hear fewer. =C2=A0<br><br>Bill <br><br><blockquote type=3D"cite">On Apr 2= 3, 2018, at 08:57, Rod Stasick <<a href=3D"mailto:[email protected]" targe= t=3D"_blank">[email protected]</a>> wrote:<br><br>My interpretation is pre= tty close to what David has said.<br>The =E2=80=9Ctwo=E2=80=9D would be the= event itself and one=E2=80=99s response <br>to the event - their reciproca= l relationship. <br>The =E2=80=9Ctree falls in the forest=E2=80=9D conundru= m that doesn=E2=80=99t need to be one.<br><br>best to all,<br><br>Rod<br><b= r><br>*************<br>Now Playing:<br><br>Abbie Hoffman - Chicago<br><br>f= rom:<br><br>Wake Up, America!<br>=E2=80=8C<br>Random Radio for Radio Marfa:= <br><a href=3D"http://172.125.0.188:8000/listen.m3u" target=3D"_blank">http= ://172.125.0.188:8000/<wbr>listen.m3u</a><br><br>Last.FM:<br><a href=3D"htt= ps://www.last.fm/user/rostasi2" target=3D"_blank">https://www.last.fm/user/= <wbr>rostasi2</a><br><br>Mixcloud:<br><a href=3D"https://www.mixcloud.com/r= ostasi/" target=3D"_blank">https://www.mixcloud.com/<wbr>rostasi/</a><br><b= r></blockquote><br></div></div></blockquote></div><br></div></div></div></d= iv></blockquote></div><br><br clear=3D"all"><div><br></div>-- <br><div clas= s=3D"gmail_signature" data-smartmail=3D"gmail_signature"><div dir=3D"ltr"><= div><div dir=3D"ltr"><div><div dir=3D"ltr">Rob Haskins, D.M.A., Ph.D.<br>Pr= ofessor=C2=A0of Music</div><div dir=3D"ltr">College of Liberal Arts<br>Univ= ersity of New Hampshire<br>M-105, Paul Creative Arts Center<br>30 Academic = Way<br>Durham, NH 03824<br>603-862-3987 (office)<br>603-862-3155 (fax)<br>&= lt;<a href=3D"http://unh.edu/music/" target=3D"_blank">http://unh.edu/music= /</a>><br><<a href=3D"http://robhaskins.net" target=3D"_blank">http:/= /robhaskins.net</a>></div></div></div></div></div></div> </div> --000000000000203317056a875ea8--