Re: Re: eBook security
Danny Stone <wallstone-qR/[email protected]>
| Newsgroups | gmane.culture.literature.ebook-community |
|---|---|
| Message-ID | <[email protected]> |
Yeah, but it's not legal to sell secrets. :) Except your own, or those
of whom you love (assuming they don't object.) My mother wrote 2
novels, both of which I'm going to publish. My brother and I are going
to fight, I think, but there is little to no reason to keep these
well-written books a family secret. He'll try to sue me over it, I
know, but he'll lose. Can't explain in open forum why, but he'll have
the right to publish them TOO. I'm just gonna make him spend money to
find that out, because I'm pretty sure he's not gonna spend 30 seconds
to ask me. That's him, not his lawyer. (Siblings - gotta love 'em!)
DRM is a good way to annoy the customer, but it doesn't actually protect
content, which is why you would use it in the first place. DRM will
slow down someone trying to copy the content, but you'd be amazed what
someone with a word processor (and a lot of patience) can accomplish.
Okay, so you put your greatest book on one of the new eBook tablet
computers, and it's got the best copy-protection and DRM in the
industry. Congratulations. Will that stop the patient typer with a word
processor?
That's why we only use DRM and/or copy-protection on sample works or
licensed works that require it (which thankfully, so far, are few.) In
fact, for Abstract Reality Magazine, the entire marketing plan allows
for copying, as the income is coming from the sponsors, not the
readers. We *WANT* them to copy (under a Creative Commons Attributive
Noncommercial, No-Derivatives license.) The more they copy, the more
money we make, because more people will buy from our sites (indirect
sales.) In management, sometimes the best solution is to play your
problems against each other, which is what I did for most of this
marketing plan. If the entertainment industry would learn to do this,
perhaps it would make more money without needing draconian laws to
accomplish it.
The authors are paid from 40% of gross receipts, which (if all goes
well) should be a lot more than they would make from traditional
marketing methods. And they have the option of upgrading their work to
a POD version (with our strong suggestion that they add additional
content to make it worth it to the readers.) This won't stop anyone
from copying the new version, of course, but neither would DRM on the
eBook version for the same reason.
Danny Stone
Publisher/Producer
Wallstone Entertainment
Richard wrote:
>
> As long as you keep it only in your head, it's perfectly safe.
>
> But somehow that isn't very satisfactory.
>
> Rick Brooks
>
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