CFP: Heroes and Villains of the Golden Age and Beyond (6/1/14; 10/29-11/1/14)
Darryl Wiggers <[email protected]> Tue, 4 Mar 2014 21:19:52 -0500
| Newsgroups | gmane.culture.studies.media |
|---|---|
| Message-ID | <[email protected]> |
From: Cynthia Miller <[email protected]> CALL FOR PAPERS CFP: Good Guys Always Wear White? Heroes and Villains in the Golden Age = and Beyond An area of multiple panels for the 2014 Film & History Conference: Golden Ages: Styles and Personalities, Genres and Histories October 29-November 2, 2014 The Madison Concourse Hotel and Governor=92s Club Madison, WI (USA) DEADLINE for abstracts: June 1, 2014 AREA: Good Guys Always Wear White? Heroes and Villains of the Golden Age = and Beyond =46rom their first flickers on the Silver Screen, films have narrated = the epic struggle between good and evil=97hero/ines against their = nemesis villain/esses. In The Wizard of Oz, audiences watched Judy = Garland journey across the many lands of Oz, fight off the evil Wicked = Witch of the West, and then wish her way home. They rode into the sunset = with John Wayne, gasped in terror at the sight of Anthony Hopkins as = Hannibal Lecter, and uncovered the secrets of The Matrix with Keanu = Reeves. Whether unproblematic binary opposites or dark and conflicted = characters that blur the boundaries of good and evil, how do these = classic cinematic staples offer commentary on our values, identities, = and shared hopes and fears? The Heroes and Villains area invites 20-minute papers that examine the = constructions, understandings, and struggles of and between hero/ines = and villain/esses. How might they influence our understandings of the = often-shifting borders across and between heroism and villainy, good and = evil? This area invites broad considerations of these conceptualizations = and some topics to consider include: =95 Gotham Calling: heroes and their relationships with society (Batman, = Superman,=20 Watchmen) =95 Heroes without a villain (Old Man and the Sea, Vertical Limit, 127 = Hours) =95 The compelling villain (Hannibal Lecter, Dexter, Dracula) =95 Heroic/villainous constructions and their historic moments (World = War II, the Atomic Age, Post-9/11) =95 Diversity in heroism and villainy: race, gender, age, and ethnicity = (Clint Eastwood, Halle Berry, Mystery Men) =95 Cinematic styles and signifiers of good and evil=20 =95 Our dark knights: anti-heroes and sympathetic villains (the Joker, = Ethan Edwards, Travis Bickle) Proposals for complete panels (three related presentations) are also = welcome, but they must include an abstract and contact information, = including an e-mail address, for each presenter. For updates and = registration information about the upcoming meeting, see the Film & = History website (www.uwosh.edu/filmandhistory). Please e-mail your 200-word proposal by 1 June 2014, to the area chair: Norma Jones Kent State University [email protected] --